a5c7b9f00b When a freak hurricane swamps Los Angeles, nature's deadliest killer rules sea, land, and airthousands of sharks terrorize the waterlogged populace.
Sharknado, the hit SyFy Channel original has positioned itselfcritic-proof, cheeseball goofiness incarnate. The entire enterprise is a joke. Sharknado knows it is a cheesy SyFy original movie, and it doesn't apologize for it. It is tongue-in-cheek, self aware, and sarcastic. "How can you criticize this movie?" some might ask, "It's supposed to be be goofy!". Well goofiness is great if it is entertaining. Sharknado is not entertaining in the least. <br/><br/>I'll skip the credits, skip the plot and get right down to business, this movie is a crappy made-for-TV snooze-fest, starring D-list celebrities and made by inept "filmmakers" who seem to have trouble differentiating between endearingly cheesy and downright bad. Sharknado is "critic-proof" because of the assumption that viewing the movie critically would expose its cheesiness, which is intentional. However, the problem with Sharknado is not that it is silly, it's that it is boring. <br/><br/>The cast has no charm, the effects are in a dead zone between not bad enough to be funny, and not good enough to be convincing, the look of the film is murky and dull, and the action scenes are incomprehensible and poorly edited. Sharknado is an absolute bore. It is an example of how a critic-proof, self-aware, tongue-in-cheek cheesefest can still go horribly wrong. Yes, I "get" Sharknado. It is meant to be a dumb B-movie, I understand, but dumb fun does require more than just conscious stupidity. Sharknado is not entertaining, a flaw that will sink any movie, whether it has shark-filled tornadoes or not.<br/><br/>20/100
It is fascinating to see how a movie released just a few months ago already got such a huge cult following within the same year. We have a little thing called social media to thank for that, and the fact that it is being broadcast on the SyFy Channel will only help to spread the word to all those who can enjoy a good B-movie with no budget worth mentioning, but a team that takes creative filmmaking to a whole new level. The Asylum is known for its cheap knock-offs and mockbusters, but calling Sharknado just that would not do justice to the sheer enjoyment of this "Jaws meets Twister".<br/><br/>There is simply too much to spoil here, but believe me if I say that you need to suspend your disbelieve, doubt and any sense of logic in general for many of the scenes that pit humans against sharks in the most hilariously ridiculous ways possible. The amount of creativity and artistic/realistic license is simply staggering. I am genuinely wondering if they left enough good ideas for the inescapable sequel, Sharknado 2: The Second One.<br/><br/>An estimated one-third of the movie seems to consist of archive footage which has been heavily (and poorly) photoshopped with added sharks, vehicles and thunderstorms, showing again what a motivated filmmaker and widely available software can do. Another third consists of actors (well, some at least make an effort) inside a car having laughable dialog in order to put in some drama: the dad who didn't give his family proper attention, the traumatized girl, etc. The final third is made up of action scenes, that is to say, often badly edited close-ups shots to hide that most stuff was shot separately in the hope that coherent scenes could be made from them. However, there are some really good over-the-top scenes that manage to stretch the imagination quite a bit.<br/><br/>All in all, this is quite an amusing shark-fest for the aficionado. It may not be exactly be Troll 2-bad, but it has its moments of sheer lunacy that should make it to the Hall of Shame with ease.

When Hurricane David moves up the Mexican coast toward southern California, it brings with it massive waves, torrential rains, and a huge influx of man-eating sharks. Santa Monica Pier restaurant owner, surfing legend Finley "Fin" Shepard (<a href="/name/nm0005575/">Ian Ziering</a>), fearing for the safety of his estranged wife April (<a href="/name/nm0005346/">Tara Reid</a>) and daughter Candice (<a href="/name/nm0434840/">Heather Jocelyn Blair</a>), tries to make it to their house in Beverly Hills. Accompanied by his Tasmanian friend Baz Hogan (<a href="/name/nm0799778/">Jason Simmons</a>), waitress Nova Clarke (<a href="/name/nm2628561/">Cassandra Scerbo</a>), and steady bar customer George (<a href="/name/nm0001334/">John Heard</a>) (and George's bar stool), the four of them brave floods that bring sharks up through the sewers and waterspouts (tornadoes over the ocean) that rain sharks from the sky. Sharknado is a made-for-television disaster film based on a screenplay by Thunder Levin. It was followed by <a href="/title/tt3062074/">Sharknado 2: The Second One (2014)</a> (2014), <a href="/title/tt3899796/">Sharknado 3: Oh Hell No! (2015)</a> (2015), <a href="/title/tt4831420/">Sharknado 4: The 4th Awakens (2016)</a> (2016), and <a href="/title/tt6298780/">Sharknado 5: Global Swarming (2017)</a> (2017). Yes, there are several scenes that seem to pay homage to the mother of all shark movies, <a href="/title/tt0073195/">Jaws (1975)</a> (1975). For example, when the crowds are scrambling to get off the Santa Monica Pier, there is a scene where Baz shoves an oxygen tank down a shark's mouth and Fin blows it up with gunshot, similar to a scene in Jaws. In another scene, Nova compares scars with Fin's son Matt (<a href="/name/nm1778468/">Charles Hittinger</a>) in a manner reminiscent of Quint (<a href="/name/nm0001727/">Robert Shaw</a>) and Hooper (<a href="/name/nm0000377/">Richard Dreyfuss</a>) on the Orca one-upping each other with their scars. This is followed by Nova's explanation of how she got the scar and why she is afraid of sharks. She ends by saying "Six people went into the water and one little girl came out. The sharks took the rest." just like Quint's description of the Indianapolis. Finally, toward the end of the movie, when Matt and Nova are flying over the waterspouts in a helicopter, Nova exclaims, "We're gonna need a bigger chopper" (Jaws: "You're gonna need a bigger boat"). Matt and Nova's attempt to drop bombs into the tornadoes, on the idea that the bombs will kill the sharks and also equalize the mixture of warm and cold air that created the waterspouts, proves successful on the first two of the three tornadoes. While Fin shoots the sharksthey fall from the sky, Matt and Nova go after the third and largest tornado, but the bomb doesn't land right and Nova falls out of the chopper. On the way down, she is gulped up by a large shark. On the ground, Fin drives the bomb-laden Humvee into the third tornado, jumping out justthe Humvee drives into it. The explosion neutralizes the tornado, but Fin is swallowed by a great whitethe sharks begin to fall from the sky. Fortunately, Fin was carrying a chainsaw and, moments later, he is able to saw himself out of the shark's belly. He reaches back in and pulls out a blood-covered but still alive Nova. In the final scene, Matt asks Nova about her real name, and she replies, "Jenny Lynn." April kisses Fin, and the four of them turn to look over the shark-covered tarmac. No. Waterspouts and hurricanes have, however, deposited many smaller animals, like frogs and fish, in populated areas. See here.
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